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THUNDER
02, Future Train (6:11)
03, Girl's Going Out Of Her Head (4:40)
04, I'm Dreaming Again (4:20)
05, Fly On The Wall (5:51)
06, Just Another Suicide (3:59)
07, Empty City (6:16)
08, Miracle Man (5:30)
09, Blown Away (4:48)
10, Loser (6:19)
11, She's So Fine (5:25)
12, Low Life In High Places (5:52)
13, Stand Up (3:33) BONUS
14, River Of Pain (4:38) BONUS
15, Like A Satellite (4:56) BONUS
16, Robert Johnson's Tombstone (4:05) BONUS
17, Higher Ground (4:43) BONUS
18, Everybody Wants Her (5:19) BONUS
19, Long Way From Home (6:25) BONUS
LUKE MORLEY -guitars, keyboards, percussion, backing vocals
BEN MATTHEWS -guitars, keyboards
CHRIS CHILDS -bass
HARRY JAMES -drums, percussion
TIM OLIVER -keyboards
EMILY LYNN -backing vocals
LARA SMILES -backing vocals
THUNDER 
Please Remain Seated
RELEASED
2019
TYPE
studio album
STYLES
rock, blues, acoustic
TRACKS
01, Bigger Than Both Of Us (4:10)02, Future Train (6:11)
03, Girl's Going Out Of Her Head (4:40)
04, I'm Dreaming Again (4:20)
05, Fly On The Wall (5:51)
06, Just Another Suicide (3:59)
07, Empty City (6:16)
08, Miracle Man (5:30)
09, Blown Away (4:48)
10, Loser (6:19)
11, She's So Fine (5:25)
12, Low Life In High Places (5:52)
13, Stand Up (3:33) BONUS
14, River Of Pain (4:38) BONUS
15, Like A Satellite (4:56) BONUS
16, Robert Johnson's Tombstone (4:05) BONUS
17, Higher Ground (4:43) BONUS
18, Everybody Wants Her (5:19) BONUS
19, Long Way From Home (6:25) BONUS
DURATION
96:54
MUSICIANS
DANIEL BOWES -lead vocalsLUKE MORLEY -guitars, keyboards, percussion, backing vocals
BEN MATTHEWS -guitars, keyboards
CHRIS CHILDS -bass
HARRY JAMES -drums, percussion
TIM OLIVER -keyboards
EMILY LYNN -backing vocals
LARA SMILES -backing vocals
PRODUCED BY
LUKE MORLEY
REVIEW
Thunder na "Please Remain Seated" nabízejí své staré skladby, které oblékli do jiného kabátku. Ubrali nohu z plynu, zmizela hardrocková hutnost a místo toho nabídli naprosto odlišný pohled na svou dosavadní tvorbu, album, o kterém by se dalo říci, že se vrací k původním kořenům kapely. Ta netkví u ostrovního heavy metalu (jak by se na prvních deskách mohlo - alespoň v náznacích - zdát), ale částečně u hard rocku sedmdesátých let a především pak u starých bluesových standardů a zemitosti let šedesátých. Ano, je to právě blues rock, který se proplétá všemi skladby na celé stopáži desky a dává jim, oproti původním (leckde) bombastickým aranžím, úplně jiný nádech.